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It was a moment that marked a turning point in postwar Europe: Anita Ekberg wading through the Fontana di Trevi in Federico Fellini's film La Dolce Vita, as improbably voluptuous as the fountain itself. La Dolce Vita was shot in 1960, and while Ekberg's l
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crama Reginei Maria-Balcic
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540263_10151192405741693_1494586596_n from Bacau Soprano
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